H1,450×W1,300×D750mm
Red Granite

作家プロフィール

Chang Nai Wen

Your Concept and about your art work

“The Goddess”
The caricatured beauties of Japan have implied a dierent kind of real aesthetics.
If we investigated the standard of ne art nude portraits from the Ancient Greeks to 20th century, there would not be too much change in stone sculpture on the beauty standard. Innocent and pure beauty is always the higher principle of nude sculpture. Now, the caricatured beauty is breaking that the Greek nude theory must be change, sexual beauty and aesthetics have been combined together in Japan’s comical beauty, although we are always neglecting them as a series of entertainment. is time, l am just going to reect the phenomenon in contemporary art by traditional stone sculpt technique in order to discuss the metastasis of Asian beauty standard.

作家プロフィール

1966	Born in Taiwan
2003	Graduate Institute of Plastic Arts in Tainan National College of the Arts (Taiwan)
2005	The Doctoral degree of Art in the Tainan National College of the Arts for six years.
2011	The folk road of the libido language of sculpture – body trace” (Tokoart, Taiwan)
2013	Planning “Massimo Smith So Low Exhibition” (Beyond Gallery, Taiwan)
2013	“Taiwan Bermuda Triangle - Art Endemism” , Kuando Museum of Fine Arts, Taipei National University of Arts, 1F Gallery
2013	“Gazing into Freedom” Taiwan Contemporary Art Exhibition / Cargo East project Group Exhibition (Museum of Contemporary Art Vojvodina / National Taiwan Museum of Fine Arts)
2014	“Imperial Remnant Order” Chang Nai-Wen solo sculpture exhibition (Tamsui Customs Wharf, Taiwan)
2014	“Added interpolation points – beyond the re-simulation of Sculpture” Chang Nai-Wen solo sculpture exhibition (I-0Park Life Space, Taiwan)
2015	“incommensurable” Contemporary Sculpture of Taiwan in Post-Expansion Era– FORMOSA Sculpture Biennial 2015 (e Pier-2 Art Center, Kaohsiung, Taiwan)
2015	“The Reclusive Poeticity” Chang Nai-Wen solo sculpture exhibition (Absolute Space for the Arts, Taiwan)