H1,200×W1,000×D1,500mm
Cherry Tree

作家プロフィール

Hihara Kodai

From / Japan

Your Concept and about your art work

“ From ‘ the Tales of the Grabbing Clouds’ A Scholar of a Device for Achieving a Transformation Desire or a Man of Desperate”
“Why do you make pigs?” I receive this question from various people. e sucient reason that only convinces my heart is still not be found even if I take it seriously and think. But I attempt to express with dierent kind of things in order to identify myself and a method using a material "to recognize oneself", and I try the immobilization of the image. As a result, is the thing which appeared as form a pig? Furthermore, is the product which reason for a reason laid one involved with the pig? In any case an ending thinking in all trials considered to be necessary as means to express oneself every day seems to become in the form of pig.

作家プロフィール

Organizer

1973	Recipient of French Government Scholarship (to 1977）
2004	Japan-Korea-Taiwan Cultural Exchange Sculpture Exhibition (Hongik University Museum, Korea)
2006	15th International Sculpture Symposium (Menet, France)
2007	11th Pare International Sculpture Symposium , Jahorina Art Colony (Bosnia and Herzegovina)
2009	Japan-Korea-Taiwan Cultural Exchange Sculpture Exhibition (Gwanjyu Museum of Art, Gwanjyu, Korea)
2010	13th Incheon International Sculpture Symposium (Incheon, Korea)
2013	Best Selection Art 2013 (Tokyo Metropolitan Art Museum, Tokyo)
2013	Contemporary Art Exhibition in Asia (Canton, China)
2014	Shoes Box Exhibition (University of Art in Taipei, Taiwan)
2015	Art Kaohsiung Art Fair (Taiwan)
Persent	present Honorary Professor of Utsunomiya University, Vice-Director of Niki-Kai